AJR AJR-based Continuing Ed for Technologists
HOME HELP FEEDBACK SUBSCRIPTIONS ARCHIVE SEARCH TABLE OF CONTENTS
 QUICK SEARCH:   [advanced]


     


This Article
Right arrow Abstract Freely available
Right arrow Figures Only
Right arrow Full Text (PDF)
Right arrow Podcast
Right arrow Alert me when this article is cited
Right arrow Alert me if a correction is posted
Services
Right arrow Email this article to a friend
Right arrow Similar articles in this journal
Right arrow Similar articles in PubMed
Right arrow Alert me to new issues of the journal
Right arrow Download to citation manager
Right arrow reprints & permissions
Citing Articles
Right arrow Citing Articles via Google Scholar
Google Scholar
Right arrow Articles by Corl, F. M.
Right arrow Articles by Fishman, E. K.
Right arrow Search for Related Content
PubMed
Right arrow PubMed Citation
Right arrow Articles by Corl, F. M.
Right arrow Articles by Fishman, E. K.
Social Bookmarking
 Add to CiteULike   Add to Complore   Add to Connotea   Add to Del.icio.us   Add to Digg   Add to Reddit   Add to Technorati  
What's this?
Hotlight (NEW!)
Right arrow
What's Hotlight?
DOI:10.2214/AJR.07.2637
AJR 2008; 191:W23-W27
© American Roentgen Ray Society


Computers in Radiology

Internet-Based Dissemination of Educational Video Presentations: A Primer in Video Podcasting

Frank M. Corl1, Pamela T. Johnson, Melissa R. Rowell and Elliot K. Fishman

1 All authors: Russell H. Morgan Department of Radiology, The Johns Hopkins School of Medicine, 601 N Caroline St., Rm. 3251, Baltimore, MD 21287.

Received May 17, 2007; accepted after revision January 10, 2008.

 
Since this article was first written, Apple Inc. has released the iLife software suite, which includes iTunes, GarageBand, and iMovie; also, Final Cut Express, a less expensive version of Final Cut, is now available.

Address correspondence to F. M. Corl (fcorl{at}jhmi.edu).

WEB

This is a Web exclusive article.


Abstract
Top
Abstract
Introduction
Basics of Creating a...
Workflow
Discussion
References
 
OBJECTIVE. Video "podcasting" is an Internet-based publication and syndication technology that is defined as the process of capturing, editing, distributing, and downloading audio, video, and general multimedia productions. The expanded capacity for visual components allows radiologists to view still and animated media.

CONCLUSION. These image-viewing characteristics and the ease of widespread delivery are well suited for radiologic education. This article presents detailed information about how to generate and distribute a video podcast using a Macintosh platform.

Keywords: computers • iMovie • multimedia presentations • podcasting • Web-based education programs • video presentations


Introduction
Top
Abstract
Introduction
Basics of Creating a...
Workflow
Discussion
References
 
Radiologists consistently indicate that image-based resources, such as teaching files and atlases, are preferred vehicles for Web-based education [1, 2]. Interest in Web-based case collections has dramatically increased over time; case collections were used by 17% of radiologists surveyed in 1999 [3] but currently are reported as the most frequently used teaching tool on a Website dedicated to body CT [2]. Portable handheld devices other than computers facilitate convenient and timely viewing of such materials. Although some radiologists own and use personal digital assistants (PDAs) [4], others have also shown resistance to using the technology because of its limited and awkward functionality [5, 6]. Many early PDAs had small, monochromatic, and low-resolution screens that were not suited for looking at radiologic images [5]. Early PDAs also lacked the software and processing power to view most images and other types of video or movie media. Although PDAs have been limited in their media-viewing capabilities in the past [5], they have been steadily improving and now commonly have monitors with a resolution of 320 x 480 pixels and that support more than 65,000 colors.

Recently, other powerful handheld devices designed to download and play audio and movie media specifically, such as MP3 (Moving Picture Experts Group [MPEG], audio layer 3) players with video capability and handheld movie players, have flooded the market and become mainstream [7]. Published studies indicate that, as of early 2005, 1 in 10 Americans older than 18 years (22 million) owned an MP3 player [8] and, as of November 2006, 12% of Internet users had downloaded a podcast, including video podcasts [9]. With all of the choices of handheld media players available on the market, ease of use, and "plug and synchronize" or straightforward download and upload functions, the channels are in place to distribute video content to virtually any subscriber. Such dissemination of multimedia educational programs is well suited for an image-dependent field such as radiology.

Video "podcasting" is an Internet-based publication and syndication technology defined as the process of capturing, editing, distributing, and downloading audio, video, and general multimedia productions. Previously, podcasts only allowed the distribution of audio files, which limited lectures to topics that did not require image display. However, new technology expanding on this concept allows one to publish, disseminate, and download video files as a video podcast [9]. Like audio podcasting technology [10], video podcasting is a form of really simple syndication (RSS) feed. Video podcasts are syndication feeds that are in movie file format (MPEG-4 [Moving Picture Experts Group, audio layer 4]) instead of MP3 format (audio only). These digital presentations are not limited to video, but can use still-image slide shows, moving medical images, or animation—all common and effective media tools for displaying radiologic educational material. We have identified in the published medical literature generalized descriptions about how to create a video podcast [11, 12]. This article describes in detail how radiologists interested in creating and disseminating educational radiologic materials can produce a video podcast.


Basics of Creating a Video Podcast
Top
Abstract
Introduction
Basics of Creating a...
Workflow
Discussion
References
 
Creating and publishing a video podcast take more time and software than creating an audioonly podcast lecture but still require only basic computer skills. Many of the steps described here have been reported in a previous article about podcast production [10]. In addition to the detailed explanation in this article, a video podcast (Fig. S1) demonstrating this process accompanies this article and can be viewed from the information box in the upper right corner of this article at www.ajronline.org. The following will be discussed: recording and capturing audio and video, editing audio and video files, and rendering media and media file handling.

The content and style of your production will dictate which software packages you need to use. Although there are numerous ways to create a video podcast, we describe the procedure on a Macintosh (Apple Inc.) platform in this article because we use Apple's recommended techniques and software to create video podcast productions, with a few purchased software additions for increased flexibility, function, and quality [13, 14].

For Microsoft users, Windows Sound Recorder (Microsoft), which is part of the Windows operating system (OS), can be used if you have a sound card or an alternative package such as QuickTime 7 Pro (Apple Inc.) may need to be purchased as an inexpensive solution to record sound files on a PC. QuickTime 7 Pro is available for Macintosh and Windows-based computers. The following are the minimum requirements to create and distribute a video podcast.

Macintosh

Windows


Workflow
Top
Abstract
Introduction
Basics of Creating a...
Workflow
Discussion
References
 
As we stated, there are many different ways to create a video podcast using a variety of software packages to create specific styles and quality production. We use Macintosh computers, iMovie, Final Cut Pro (Apple Inc.), GarageBand, and Adobe After Effects to create our video podcasts lectures. Some of the same software we use is also available for Windows, and those software functions and tools are virtually the same.

Other Windows-based audio- and video-capturing software and editing software may have a slightly different interface and functionality, but most follow timeline-based editing procedures and concepts similar to those we describe. Lectures consisting of continuous video footage of the lecturer can be created with an inexpensive digital video camera (VHS cameras can also be used) and video editing software such as iMovie for Macintosh PCs or Movie Maker for Windows PCs. iMovie and Movie Maker are included with the most recent operating systems at no extra cost.

For higher-quality video productions, professional video editing software, such as Final Cut Pro or Avid Xpress (Avid), is available for purchase. Although both of these software packages can be useful for editing professional-quality video productions, there is a steep learning curve and a large time commitment is involved in learning to use these expensive software packages.

Other styles of video podcast productions can range from simple slide shows with audio to full-length educational video productions that use combinations of video, slides, illustrations, animations, audio lecture, and music. All of this media can be imported, handled, and edited in iMovie. For increased multimedia production capabilities—such as multilayered video production, animation, still-image composition and compositing, and complex audio compilation—software such as After Effects can be purchased and used. Producers can also explore other options, such as downloading and experimenting with third-party extensions that allow users to export Power-Point (Microsoft) presentations as MPEG-4 movie file format.

When creating a podcast, it is helpful to remember one simple concept: High-quality educational material does not need to be complex. The basic requirements to create a video podcast are as follows: the ability to record or import sound onto your computer; the ability to upload and edit video footage, animation, and still images on your computer; and the ability to combine the image and audio files, edit them, and create an MPEG-4 file for video podcasts. MPEG-4 and MP3 are the only file types accepted for podcast presentation. MPEG-4 is the standard used primarily to compress audio and visual digital data. MP3 (MPEG-1 audio layer 3) is an audio-specific format compression format.

Capturing and Importing Video
The first component of video podcast creation that we discuss involves capturing and editing video footage for a video podcast publication. For this demonstration, we reference all functions and tools from iMovie 5.0.1. The first step is to shoot the video using a digital video camera; a VHS video camera can be used as well, but camera connection protocol and uploading of video footage change. The best scenario for shooting a lecture is a well-lit environment with a solid-colored background that provides contrast with the focal point (i.e., the speaker, procedure, or other object of interest).

If you are recording a lecture in a large room, a close microphone setup may be desirable. To set up a close microphone, place a microphone in front of the speaker (3–5 inches [8–13 cm] is ideal and depends on the type and quality of the microphone) or attach a small lapel-style microphone to the speaker and run the line into the external microphone port on the camera, digital preamp converter (USB [universal serial bus] or FireWire [Apple Inc.]), or computer sound card; all of the details for capturing audio have been reported previously [10]. Separate video and audio files (audio recorded from a separate microphone) can be synchronized later during the editing process.

After the footage is captured on the camera, proceed to download the video footage onto your computer via a FireWire or USB connection with the camera. Video footage uploaded from a camera using USB 2.0 or FireWire is of better quality than footage uploaded using USB 1.0. After the footage is loaded and viewable in a video editing software package, such as iMovie or Movie Maker, make the edits, cuts, and transitions needed to finalize the production and render the movie file; these details and functions will be discussed later.

All of the basic camera setup, connections, and basic video editing functions are independent to specific cameras and software. Users will need to consult the product manuals for details. Most editing software packages offer a quick (30-minute) tutorial that will take you through the basic process of downloading, editing, and rendering. There are many types of digital video cameras commercially available, ranging in cost from just over $200 to $1,000, and most include USB or FireWire capabilities.

Recording Audio
Many podcast productions may require a voice-over, a separate microphone positioned near the speaker, or additional separate audio tracks. We use GarageBand (Windows Sound Recorder or QuickTime 7 Pro can be used on a Windows-based PC) for recording these independent audio tracks that were not captured with the live camera footage. GarageBand does not currently run on Microsoft Windows computers. Windows users will need to use Windows Sound Recorder, which is included on Microsoft PCs with a sound card; download QuickTime 7 Pro; or download a free audio recording and editing package such as Audacity 1.2.6 (Audacity) to record the audio portion of their production. There are many software packages available for Windows-based PC users developed by Steinberg, Avid, or Sony [10]. Another place to look for inexpensive or free quality audio editing software packages is www.shareware.com [7].

Although audio can also be recorded directly into many video editing programs, most programs are not specifically designed to record and edit audio files. We recommend recording any separate audio tracks in a program such as GarageBand and then synchronizing the audio file with images and other media during the image editing process. A step-by-step tutorial of the audio recording and editing process has been previously described [10].

Compiling Video, Images, and Audio
The next step is importing separately recorded audio into image and video editing software. All of this can be done in iMovie or Movie Maker, although at times we use a more sophisticated program called After Effects. For demonstration purposes in this article, we use only iMovie.


Figure 1
View larger version (47K):
[in this window]
[in a new window]
[as a PowerPoint slide]
 
Fig. 1 Select the Audio button (long arrow) on the toolbar located at the bottom right of the iMovie (Apple Inc.) window. Scroll through the window to locate audio file and select the audio file and click on the Place at Playhead button (short arrow). Reprinted with permission from Apple Inc.

 
We start by importing the audio file. Open iMovie and then name and save the file. Next click on the Audio button on the toolbar located at the bottom right of the iMovie window. iMovie will take a minute to load the iTunes catalogue. Once that is finished, scroll through the window to locate the previously saved audio file. Select the audio file and click on the Place at Playhead button (Fig. 1). This will bring the audio file into the iMovie project and place it at the spot of the cursor.

Next, import all of the images, animation, and video that will be used in the production. Click on the Clips button in the iMovie toolbox. Users can drag and drop the files from the computer's finder or they can select Import, which is located under the File menu at the top of the screen (Fig. 2). After all of the visual media have been imported into the Clips menu, drag and drop the individual images and footage files onto the timeline located at the bottom of the screen (Fig. 2). Drop these files into the timeline in the order you want them to appear in the production. Users can change the order of the footage by dragging the footage around to reorder it and can also change the duration of the still images by double clicking on the image in the timeline. A dialogue box will appear to allow the user to increase or decrease the time the image will stay on the screen.


Figure 2
View larger version (51K):
[in this window]
[in a new window]
[as a PowerPoint slide]
 
Fig. 2 Drag and drop the individual images and footage files onto the timeline located at the bottom of the screen (arrow) of the iMovie (Apple Inc.) window. Items in the timeline can be reordered by dragging and moving files around. Reprinted with permission from Apple Inc.

 
If you have recorded video footage in an environment where the ambient room sound was not ideal because of room size, acoustics, or crowd noise and a separate close microphone was used, you will need to synchronize these files with video footage. In a high-end professional studio environment, multiple audio, video, or film tracks are synchronized by digital time code. Although digital video cameras have a time code, we do not have a matching time code for the separately recorded audio files (i.e., recorded with the external microphone). Applying a digital time code to multiple separate devices is rarely possible with the equipment and scenarios described in this article. We manually synchronize the audio and video tracks during the editing process by deleting the existing audio track that is part of the video track (i.e., recorded with the video footage on the video camera) and then edit the video footage to match the audio in the video editing software. If the extra audio track and the video footage were recorded simultaneously, these two tracks can be synchronized by moving them around in the timeline of the editing software until they match up.

Editing moving media such as video, QuickTime movies, and animations is a basic function in iMovie. To cut the video footage at any point, mark the splice point with the cursor and select Split video clip at play head, which is located under the Edit menu at the top of the screen. You can perform this same function on audio files in iMovie too. Another way to cut portions of video or still images is to use the slider function in the image window to mark portions of video that are to be deleted. Select the image or footage that you would like to edit and drag the Marker over the area you want to delete. The "marked" area will be highlighted in yellow. After selecting the area, click the delete button and the area will be removed.

If the user needs the audio from a combined audiovisual file (footage from a video shoot) on a separate track to allow the user to move and cut video without splitting the audio track, extract the audio from the video. This function is located in the Advanced menu in iMovie.

After all of the edits are in place, add transitions between the cuts. There are many to choose from and they are all located under the Trans menu in the iMovie toolbox. One style consideration to keep in mind, involving transitions from scene to scene, is to keep transitions simple, clean, and as seamless as possible. We use "dissolves" and "fades" and avoid large sweeping transitions such as "wipes" or "shutter" transitions.

After the project is complete and the production is ready to be rendered as the final movie, select Share located under the File menu at the top of the screen. We then select the QuickTime icon. Next, we select Export Settings to view and set our presets. After selecting Export Settings, click Share. A second box will appear and the user can make adjustments to the settings. Export the file as an MPEG-4 file and select Options to see some of the presets. We leave most of these settings at their default settings and change a few basic presets (Fig. 3). Figure 3 shows our options "setup" window for the video settings. We choose MP4 (ISMA) (for faster data rate) as the File Format. We select MPEG-4 Improved as the Video Format. We also change the image size to 320 x 240 and change the Frame Rate to 15. We leave all Audio and Streaming settings set to default. Now click Share again, and iMovie will begin rendering the movie file. It is important to note that MPEG-4 is the only type of movie file format that is supported for video podcast publications.


Figure 3
View larger version (79K):
[in this window]
[in a new window]
[as a PowerPoint slide]
 
Fig. 3 To render the final movie (iMovie, Apple Inc.), select Share located under the File menu at the top of the screen. Select Export Settings and click Share. A second dialogue box will appear and the user can make adjustments to the rendering presets by selecting Options. We leave these settings at their default settings. Export the file as MPEG-4 (Moving Picture Experts Group, audio layer 4). Reprinted with permission from Apple Inc.

 
Details about creating an RSS file, creating an .htaccess file, and subscribing to a podcast have been previously reported [10].


Discussion
Top
Abstract
Introduction
Basics of Creating a...
Workflow
Discussion
References
 
Video podcasting holds promise as a practical method to rapidly and cost-effectively disseminate multimedia educational programs. A video podcast can consist of something as simple as teaching file case images with accompanying history and diagnostic information or as complex as a full-length educational video production. A great advantage of video-on-demand technology is its viewing flexibility, giving the users the ability to choose exactly what they want to view and hear and when they choose to, unlike traditional broadcast media such as television and radio. Other advantages include the capacity for a variety of video, audio, and image media; the ease of dissemination; and the availability of multiple viewing platforms, so the user is not tied to the computer to review content.

A podcast can be distributed as a downloadable file, and downloading podcast files to the user's computer allows the user to play the media off-line or on a portable media player. Any content manager that can play the MPEG-4 file format and has a monitor to view an image can be used. Content managers such as iTunes and Windows Media Player (Microsoft) will play video podcast media on PCs and portable media players with video screens. Nonetheless, video podcasts are also likely to be viewed on a desktop computer or laptop because of the expense of handheld devices, their newness [7], and their small screen size.

Examples of our use of video podcasting can be found on our Website, www.ctisus.com, linked from the main page. We are currently adding at least one new video podcast each week. At the present time, our published video lectures include 3D rendering techniques, workflow and image processing, 3D CT angiography of the gastrointestinal tract, virtual gastroscopy, cardiac CT, and many case review lectures. Our available video podcasts usually last about 8–17 minutes and use a variety of content including audio lecture, word slides, still radiologic images, animated 3D radiologic images, medical illustrations and animations, and music. All of this material is free to users.

In the future, video podcast content will likely expand beyond radiology-based lectures. Based on the groundwork of Kahn et al. [15], video podcasting technology may prove valuable to deliver just-in-time learning teaching modules. Designed for Internet point-of-care learning, podcasts are focused, educational programs of short duration that integrate literature-based text and images [15, 16]. A pilot study of Web-based modules revealed that radiologists prefer such programs to range from 5 to 15 minutes, similar in length to our current collection of video podcasts [15]. In the future, we will also see specific software packages designed to create and handle video podcasts from inception to publication as well as to manage and catalogue downloaded video podcast files [7].


References
Top
Abstract
Introduction
Basics of Creating a...
Workflow
Discussion
References
 

  1. Scatarige JC, Garland MR, Corl FM, O'Keefe CF, Fishman EK. Visitors and content preferences on an educational web site dedicated to clinical body computed tomography: results of a 2001 audit and online survey. Invest Radiol 2002;27 : 53–59
  2. Johnson PT, Eng J, Rowell MR, Fishman EK. Evolving physician perception of world wide web education: 2007 update and review of the literature. Acad Radiol 2007;14 :1092 –1101[CrossRef][Medline]
  3. Vorbeck F, Zimmermann C, Vorbeck-Meister I, Kainberger F, Imhof H. Internet use in radiology: results of a nationwide survey. Eur J Radiol 1999; 31:141 –151[CrossRef][Medline]
  4. Busch JM, Barbaras L, Wei J, Nishino M, Yam C-S, Hatabu H. A mobile solution: PDA-based platform for radiology information management. AJR 2004; 183:237 –242[Abstract/Free Full Text]
  5. Boonn WW, Flanders AE. Informatics in radiology: survey of personal digital assistant use in radiology. RadioGraphics2005; 25:537 –541[Abstract/Free Full Text]
  6. Flanders AE, Wiggins RH 3rd, Gozum ME. Handheld computers in radiology. RadioGraphics 2003;23 : 1035–1074 [Erratum in RadioGraphics 2003; 23:1702][Abstract/Free Full Text]
  7. Meng P. Podcasting and vodcasting: a white paper—definitions, discussions and implications. edmarketing.apple.com/adcinstitute/wp-content/Missouri_Podcasting_White_Paper.pdf. Accessed December 2006
  8. Millions buy Mp3 players in US. BBC News Website. news.bbc.co.uk/1/hi/technology/4268015.stm. Published February 15, 2005. Accessed November 2006
  9. Madden M; Pew Internet & American Life Project. PEW internet project data memo: Podcast downloading. www.pewinternet.org/pdfs/PIP_Podcasting.pdf. Accessed November 2006
  10. Rowell MR, Corl FM, Johnson PT, Fishman EK. Internet-based dissemination of educational audiocasts: a primer in podcasting—how to do it. AJR 2006;186 :1791 –1796
  11. Maag M. Podcasting and MP3 players: emerging education technologies. Comput Inform Nurs 2006;24 : 9–13[CrossRef][Medline]
  12. Tripp JS, DuVall SL, Cowan DL, Kamauu AWC. Academic podcasting: quality media delivery. AMIA Annu Symp Proceed2006 : 1125
  13. GarageBand support: working with podcasts. Apple Website. www.apple.com. Accessed August 2007
  14. Creating your own podcast. Apple Website. www.apple.com. Accessed August 2007
  15. Kahn CE Jr, Ehlers KC, Wood BP. Radiologists' preferences for just-in-time learning. J Digit Imaging2006; 19:202 –206[CrossRef][Medline]
  16. Kahn CE, Santos A, Thao C, Rock JJ, Nagy PG, Ehlers KC. A presentation system for just-in-time learning in radiology. J Digit Imaging 2007; 20:6 –16; 2006 Sep 12 [Epub ahead of print] Accessed November 2006[CrossRef][Medline]

Add to CiteULike CiteULike   Add to Complore Complore   Add to Connotea Connotea   Add to Del.icio.us Del.icio.us   Add to Digg Digg   Add to Reddit Reddit   Add to Technorati Technorati    What's this?



This Article
Right arrow Abstract Freely available
Right arrow Figures Only
Right arrow Full Text (PDF)
Right arrow Podcast
Right arrow Alert me when this article is cited
Right arrow Alert me if a correction is posted
Services
Right arrow Email this article to a friend
Right arrow Similar articles in this journal
Right arrow Similar articles in PubMed
Right arrow Alert me to new issues of the journal
Right arrow Download to citation manager
Right arrow reprints & permissions
Citing Articles
Right arrow Citing Articles via Google Scholar
Google Scholar
Right arrow Articles by Corl, F. M.
Right arrow Articles by Fishman, E. K.
Right arrow Search for Related Content
PubMed
Right arrow PubMed Citation
Right arrow Articles by Corl, F. M.
Right arrow Articles by Fishman, E. K.
Social Bookmarking
 Add to CiteULike   Add to Complore   Add to Connotea   Add to Del.icio.us   Add to Digg   Add to Reddit   Add to Technorati  
What's this?
Hotlight (NEW!)
Right arrow
What's Hotlight?


HOME HELP FEEDBACK SUBSCRIPTIONS ARCHIVE SEARCH TABLE OF CONTENTS